Wednesday, October 25, 2006

Anderson Cooper, L'Infant Terrible, and the Meridian Connection

I always liked this series, and the new batch of pics that was published on the www.robinsonarchive.com are out takes of the photo shoots.

They speak volumes of the kids; it is difficult to keep a child interested during a photo session and their characters come across very brightly.



Anderson and Carter bored...

Anderson throwing a tantrum.... Gloria's face, priceless!

"I'M BORED! "...

I think Anderson was a handfull...






Wyatt holding Anderson very "tightly"
"Did he finish?"







I just LOVE OUTTAKES!!




About the Photographer

Jack Robinson, Jr. was born in Meridian Mississippi on September 18, 1928 to Jack Robinson, Sr. and Euline Jones. He grew up in Clarksdale Mississippi, the literal heart of the Mississippi Delta. Jack graduated from Clarksdale High School in 1946. He attended Tulane University in New Orleans. In 1950 He began his professional career in photography.
His early work captured the charm of the French Quarter and documented the nightlife there. He photographed the Mardi Gras festivities. He went to Mexico in 1954 where he captured old Mexico in large and medium format photographs. In 1955 Jack moved to New York where he quickly became noted for his fashion photography and was sought out by many of the top designers and others in the fashion industry.
By 1959 he had a cover shot for a fashion special for "Life" magazine. He worked with fashion maven Carrie Donovan at the "New York Times" until 1965. Jack traveled to Europe on occasion to photograph the great design houses of the day. When Carrie went over to "Vogue" Jack followed with his freelance work where he photographed both fashion and celebrities. Jack was published in "Vogue" over 500 times from 1965 through 1972. In 1967 "US Camera" did a feature story on Jack's work for "Vogue's Own Boutique", a monthly feature that utilized celebrities as models in various boutiques around New York. The article reprinted shots Jack had done of Baby Jane Holzer, Tom Wolfe, Sonny and Cher and Julie Christy. The Vogue section was the brainchild of the legendary Diana Vreeland, Editor-in-Chief of "Vogue". Jack was her personal favorite and in fact it was Jack whom she chose to do her own portrait. In 1974, about a year after Jack left New York, "Vogue" mounted a retrospective of "50 Years of Women in Vogue". "Newsweek" magazine covered this show with a two-page spread that featured six photographs, one by Avedon, two by Irving Penn, one by De Hoyningen-Huene', one by Edward Steichen and one by Jack Robinson. It is clear that by the early 1970's Jack had established himself as one of the more important photographers in the world but suffered a malaise that would, during the rest of his life, preclude additional recognition. Jack's personal life was a challenge. He was a classic tormented eccentric genius from the Mississippi Delta like so many others before him: Faulkner, Tennessee Williams, most musicians, yes, including Elvis. Jack turned to drugs and alcohol to escape. The fact that he was gay at a time when it was not socially acceptable caused suffering in Jack. He also ran in the fast lane of Warhol and company. That he eventually succumbed to the temptations found in the very social scene he was photographing should be no surprise. As you read his daybooks and job assignments you can see the deterioration of his life. Jobs dwindled: he had to move from his Toney studio address on 11 East 10th Street, sell his beloved Steinway and finally in December of 1972 retreat to Memphis. He was broken and addicted to alcohol. He was taken in by Audrey Stroll, a long time friend who got him into AA and got him back on his feet. Jack stopped all commercial work and took up painting. He soon took a job as assistant to noted artist Dorothy Sturm designing stained glass windows for churches at one of the 10 largest stained glass studios in the country, Laukauff Stained Glass. After his stint at Laukauff Studio he joined another glass studio where he spent the last year of his life doing water color and pen and pencil designs for the stained glass windows for the chapel at St. Jude Children's Research Hospital where Danny Thomas is buried. He fell ill in November 1997 and went to see his doctor. Mr. Robinson died of cancer within a month of that visit. Though Jack Robinson's professional photography career spanned only 17 years they were pivotal years in modern history. Jack was there to document in fine art photography the social changes that occurred in the 60's and early 70's as reflected by fashion, art, the written word, the stage and silver screen, and probably most important of all, the music. Jack photographed virtually every musician that we think of when we think Woodstock and the Summer of Love. Jack did album covers and fashion shoots. He photographed the Nixon White House, then Dennis Hopper of "Easy Rider", the unbridled decadence of the 60's in New York and unequaled elegance of Jacquelyn Kennedy in full formal regalia. Jack captured what is arguably the absolute zenith of modern fashion as given us by Pucci, Cardin, St. Laurent, Blass and the like. But he also showed us the casual look that was to become and sometimes what was not to become (electric clothes by Diana Dew). From the "Beat Generation", as an insider and a participant, Jack Robinson captured on film what the world will remember for generations, as the 60's.

3 comentarios:

ivy said...

christiane-- very interesting post, thanks. It's really sad how Robinson's career turned out. The pic you put up first is my absolute favourite in the series.

Bev said...

Great pictures. Anderson reminds me of one of the 'Little Rascals'

Bev said...

anderson is already showing signs of being unable to stay in one place for any length of time

MANIFESTO

Don't think for me. Don't assume what I want to hear or read. Give me facts. Give me reasons. But not yours. Bring me debate. Enlighten me. Today, accountability is masked behind anonymity; bylines are hidden by zeros and ones. Everyone publishes; everyone is "in the know." Ethics are non-existent. Speculation is king. The truth is masked and a hostage. Empowered by our minds, WE ARE THE FREAKSPEAKERS!

FAIR USE NOTICE

This site contains copyrighted material, the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding of issues of environmental, political, news and humanitarian significance. We believe this constitutes a "fair use" of any such material as provided in section 107 of the US Copyright Law. In accordance with the title 17 U.S.C. Section 107, the material on this blog is distributed and available without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.

If your obsession against us and our content endures, you might find more information at: Law.

If you wish to use copyrighted material from this site for purposes of your own that go beyond "fair use", you must obtain permission from the blog owner.